There are separate high- and low-voltage transformers for each channel, and sufficient energy storage for a serious amplifier, fully twice the capacity of a Reference Phono 2, providing incredible dynamic headroom. There are twenty stages of electronic regulation, with separate vacuum-tube regulation for each channel. Dual umbilical cords connect between the power supply and the separate analog stage. The power cord inlet contains a 20A IEC connector.
The dual-mono audio circuits are fully discrete, pure Class-A, with zero feedback. The low gain audio section uses eight 6H30 tubes, four per channel. Rather than using a step-up transformer, special high-gain, extremely low-noise FETs are used in the high- gain section. This approach is costlier than using a transformer, but it is well worth the dramatic performance increase. The design is fully balanced, with an input circuit that allows its RCA inputs to operate in a balanced configuration without requiring an inverter. There are two sets of inputs with the same flexibility as the Reference Phono 2SE, including switchable Low and High gain, seven loading options including 47k, 1000, 500, 200, 100, 50 ohms, plus Custom which can be factory-set according to your needs. In addition to standard RIAA equalization, the Reference Phono 10 also includes early Columbia and Decca equalization curves.
From the first note on that treasured LP, its greatness is at once obvious and breathtaking—the Reference Phono 10 is a sonic blockbuster that establishes the new standard in analog music playback. Emphatically. Great vinyl takes on an explosive, dynamic quality that is normally encountered only in a live performance, whether the crescendo of an orchestra, a roaring rock band, or the intricacies of a solo piano. When called for, the stage is vast, holographic, enveloping: Dimensionality is redefined, with an engaging, ‘reach out and touch it’ quality. The RP10 resolves so much detail without grain, delighting listeners with new information extracted from those familiar grooves. The musical experience is so much more involving and persuasive—you do not want it to end. But these are mere words that pale in comparison to the actual listening experience. Understanding only comes from listening.
Reference Phono 10 – the product that triumphantly validates the superiority of analog playback. Music in High Definition®.
Technical Specifications
FREQUENCY RESPONSE: ± .2dB of RIAA, 10Hz to 60kHz; 3dB points below 0.3Hz and above 300kHz.
DISTORTION: Less than .002% at 1.0V RMS 1kHz output.
GAIN: Selectable 51dB (Low), 74dB (High) at1kHz BAL; 45dB (Low), 68dB (High) at1kHz SE. (MC & MM compatible).
BUTTONS: Front (2) Power, Mute.
INPUT IMPEDANCE: 47K ohms and 100pF SE. Selectable loads 1000, 500, 200, 100, 50 ohms and Custom.
PHONO EQUALIZATION: (Selectable) RIAA, Columbia, Decca.
OUTPUT POLARITY: Non inverting.
OUTPUT IMPEDANCE: 200 ohms SE, 400 ohms balanced. Recommended load 50K-100K ohms and 100pF. (10K ohms minimum and 2000pF maximum).
MAXIMUM INPUT: 250mV RMS at 1kHz (680 mV RMS at10kHz).
RATED OUTPUTS: 0.5V RMS 10Hz to 20kHz, 100K ohm load (output capability is 80V RMS BAL output at 1/2% THD at1kHz, 40V SE).
POWER SUPPLIES: Electronically regulated low and high voltage supplies. Automatic 40 sec. warm-up/brown-out mute. Line regulation better than .01%.
NOISE: 0.22uV equivalent input noise, IHF weighted, shorted(Low Gain) input (73 dB below 1mV 1kHz input). 0.055uV equivalent input noise (High Gain) (65dB below 0.1mV 1kHz input).
TUBE COMPLEMENT: (8)-6H30P dual triodes, plus (2 each) 6550C and 6H30P in power supply.
POWER REQUIREMENTS: 100-135VAC 60Hz (200-270VAC 50/60Hz) 235 watts maximum. Standby 0.8 watts.
DIMENSIONS: Width 19” (48 cm); Height 7” (17.8 cm) (standard rack panel).
